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DTSTART;TZID=UTC:20260801T190000
DTEND;TZID=UTC:20260801T230000
DTSTAMP:20260730T174213Z
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UID:51560-1785610800-1785625200@eyevee.org
SUMMARY:August :: Performance :: Sound*Object :: IV_Gallery :: Cortright_electric :: 08.01.26 7:30pm
DESCRIPTION:Oh hey\, a show! Or\, more specifically\, a weird music show. And\, even\nmore specifically\, a weird music show that directly relates to the\nsound*object show in the gallery. Here’s what’s up: at 7 PM on\nSaturday\, August 1\, Eyevee Arts and Cortright Electric present: From Baltimore\, Lyn Goeringer is a composer\, sound artist\,\nimprovisor\, and performer who makes her own instruments and\nmulti-media pieces that focus on the unusual and everyday within\nsound\, video\, and electronics. Her work relies on intense focus and\nattention to bring the listener to a point of intentional hearing— a\nworld where unusual objects bring haunting soundscapes to life\, and\neveryday objects become sonic in ways we do not usually get the\nopportunity to hear. Informed by reductionism and essentialism in\nimprovisation and compositional practice\, her works investigate\nindividual sounds and images\, giving them the time and space they need\nfor their inner complexity to rise to the surface. Her current\nresearch/practitioner focus is on the mythopoetic as it relates to the\nunconscious and the unseen. \n …I believe for this performance\, an amplified goat skull may be\ninvolved in this performance\, but don’t take my word for it. \n Comfort Link is the solo tape music project of Tim Wisniewski\,\nproprietor and co-founder of the Spleencoffin label in Baltimore.\nUtilizing a battery of temperamental reel to reel tape machines and a\ndistinctly magnetic palette of crumbling hiss\, feedback\, and cozy\nsaturation\, Comfort Link pulls the fragmentary implements and audio\ndetritus of mid-century living room hi-fi culture through the dim\ntunnel of post-industrial audio slime. \nLiz Meredith is a violist\, improviser and composer from Baltimore\,\nMD. Her music explores intersections between acoustic chamber music\,\ninstrumental improvisation\, electro-acoustic composition\, and ambient\nmusic. Liz’s recordings include 3 solo albums\, The Disposition of\nVibrant Forms\, a 5 LP set in collaboration with John Somers\, and\nvarious solo and collaborative works on cassette. Her most recent solo\nalbums Repro – Ext (Hard Return) & Repro (s P L e e N C o F F i N)\nhave received critical acclaim from publications such as Tiny Mix\nTapes\, Vital Weekly\, ATTN Magazine\, and the Sound Projector.  In\naddition to performing her own music\, Liz has premiered new works by\nemerging composers\, and has also contributed her sound to recordings\nby a wide range of artists. \nHolding down the local front: \nCaleb Crittenden is an artist\, experimental musician\, and independent\nresearcher of sound from Syracuse\, New York. Through improvisation\,\nDIY electronics\, modular synthesis\, software development\, and\nelectroacoustic composition\, he creates work that explores attentive\nlistening\, emergence\, and the creative possibilities of unpredictable\nsound. \n And finally \nOtherwise known as Vaux Flores in certain circles\, Travis Johns’ last\nthree performances involved 1.) decimating an electric guitar with an\namplified excavator 2.) sawing a cello in half in a chapel and 3.)\ngiving himself severe frost burns with dry ice while using it to\nresonate an amplified meat cleaver in Bangkok. Given this track\nrecord\, we’re pretty sure he’ll probably just break out the old guitar\nfor some campfire singalongs or something. Keeping on theme\, he also\nused to live in Baltimore.
URL:https://eyevee.org/event/august-performance-soundobject/
LOCATION:IV Gallery @ Cortright Electric\, 653 Elmira Rd.\, Ithaca\, NY\, 14850\, United States
CATEGORIES:IV Gallery,Live Music
ATTACH;FMTTYPE=image/jpeg:https://eyevee.org/press/wp-content/uploads/2026/07/CE08012026-scaled.jpg
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